Author: Wingel Gilberto Pérez Mendoza

Juan David Bermúdez Dávila

Juan David Bermúdez is a Colombian sound artist, composer, and music producer. His work as an artist revolves around the relationships between sound, space, and time and how to experience existence through sound. Juan David has a Music bachelor degree with emphasis on Sound engineering from the Javeriana University, finishing his studies with academic honors in 2018. His sound installations have been exhibited in Matik-Matik, Biblioparque Marqués de San Jorge, Javeriana University and Espacio Odeón. Since 2018, he has been part of the experimental music ensembles Time Canvases and Indemo that perform and compose music in non-conventional settings, hoping to create experiences in which the music becomes part of everyday situations.

He studied for a Master of Music in Sound Art Composition at the Mainz University of Music under Peter Kiefer, Stefan Fricke and Andres Bosshard, graduating with top marks in October 2023.
He has been a master student in the Sound Art Composition class since summer semester 2024 - see here: https://soundart.uni-mainz.de/2024/05/17/juan-david-bermudez-meisterschuler/

https://www.juanbermudez.net

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Wingel Mendoza

Wingel Pérez Mendoza was born in Mexico City (1982). He got the Trinity College Bachelor degree in composition in 2009, later he studied at Rotterdam Conservatory with Robin de Raaff (composition Professor) and Rene Uijlenhoet (Electronic music Professor) in The Netherlands in which he got the Master degree in composition in 2014. Later, he studied his Meisterklasse Komposition in the Hochschule für Musik Würzburg in Germany with Professor Robert HP Platz. He is studied the Master's program Klangkunst Komposition in the Hochschule für Musik Mainz with Prof. Peter Kiefer and Prof. Ancke Exckardt.

For Wingel, the sound is a material that is made not only by sonic energy, but it is made with images, memories, lights, movements, actions like touching, thinking. Therefore, my personal interest as a composer and sound artist is to expand the context of sound interacting with external sources such as electronic means (live electronics, video, space [sound environment and the interaction with nature], image, movement, sensors) and also the interaction with other arts such as dance and/or Theatre, in order to create new possibilities and new ways of perception. Moreover, I improvise and perform with different devices (digital and analog) as a part of sound practice. Finally, as an exploration, I create my own analog devices or digital instruments in order to find new sources of sounds.

Website links:

Soundcloud

Youtube

Webpage

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Anahita Ghasemi Nasab

Born and raised in Ahwaz, Iran, the grounding for her work lies in the deep understanding of the sonic aspects of language, human speech, and the possibility of inducing visual perception through aural data. As an artist, she is interested in walking between the line of extreme and subtle. The subtle can carry extreme messages and the extreme can have subtle nuances.

Her walking this line is in many cases meant literal. She’s using herself as a subject to explore the individual suffering of humans and how to overcome it. Given her musical background, sound has been for a long time not only her primary but my only media. Recently she has reached a point where she started to feel the need to use visual aspects like photos, videos, and live performances as complementary layers in her projects.

Website link

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Christopher Dahm

Student from 2018-2020

Christopher Dahm (*1983/Kirchheimbolanden) lives and works in Mainz, Germany. After working as a techno DJ for many years, he studied sound and music production in Darmstadt (with Dr. Barbara Lüneburg, Moritz Bergfeld and Carsten Kümmel), as well as sound art composition at the Johannes Gutenberg University in Mainz (with Anke Eckardt, Peter Kiefer and Stefan Fricke). Christopher Dahm's installations and sculptures focus on the transformation of architecture and physical phenomena into the medium sound. In the process, space itself becomes a decisive component of the mostly site-specific works. A further focus of his work is artistic research on digital, multi-channel sound worlds, which are used in the field of Expanded Realities or in multimedia room installations. In the Department of Design at the Mainz University of Applied Sciences, he passes on his knowledge to students as manager of the media laboratories.

Christopher Dahm has been appointed for the WS 2022/23 as Professor of Digital Technologies in Moving Image & Sound at the RheinMain University of Applied Sciences in Wiesbaden.

We congratulate him warmly!

https://www.hs-rm.de/de/hochschule/personen/dahm-christopher

 

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Hyunju Oh

Hyunju Oh [*1988 in Daegu, South Korea] studied painting, media art, and experimental art. She studieed Sound Art - Composition of the "Meisterschüler"-program (3rd cycle Bologna) at Mainz School of Music.
On February 16, 2022, she successfully passed her examination as a "Meisterschüler" (Bologna 3rd Cycle, PhD equivalent) student. Congratulations and good luck for the further artistic career.

She has exhibited numerous times in Germany, including Morat Institute Freiburg, Singen Art Museum, etc. She has received several competitions and grants, among others from ZK/U Berlin, State Government Schleswig-Holstein, Germany, and Arts Council Korea.

Her works are carried out not only by installations of simple sound objects but also by utilizing the theatrical radio drama and performative sounds. Through the interplay between an object with allegorical meaning and time-based sound, she experiments with transformation in space and perception.

Hyunju Oh lives and works in Mainz.

Website Click

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2021 Trier

OPENING 21 – SOMMERUNG
Internationales Festival für Aktuelle Klangkunst TUFA Trier 24.07 - 15.08

                                       
Standorte: Museum Simeonstift, Museum am Dom, Galerie Netzwerk, Tufa Trier, Karl Marx Haus, KM9 - Dein Kunstraum, Europäische Kunstakademie Trier | Feierliche Eröffnung: 24. Juli 2021 – 15 Uhr, Museum am Dom | Anmeldung im TUFA Büro nötig (info@tufa-trier.de / 0651 718 2412)

Für drei Wochen zieht sich eine Klanglinie durch Trier: An sieben Kulturstandorten entstehen Klangräume und Klanginstallationen. Hierzu wurde die Klasse Klangkunst-Komposition der Hochschule für Musik Mainz eingeladen: Studierende und Alumnis präsentieren zwölf für Trier entwickelte und adaptierte Arbeiten. Betreut werden sie von Prof. Peter Kiefer und Prof. Stefan Fricke.

Links: Website | Programm

Die zu bespielenden Orte sind Innenräume, die den Anforderungen der Corona-Maßnahmen entsprechen.


Klangkünstler:

Juan Bermudez – Kolumbien

Meike Borchers – Mainz a.G.*

Christopher Dahm – Mainz

Ketevan Dolnikova-Hahn – Frankfurt/Main, Moskau, Tiflis

Stefan g. Fricke – Frankfurt/Main

Nicola Hein – Berlin, New York

Danbi Jeung – Südkorea

Wingel Perez Mendoza – Mexiko

Anahita Ghasemi Nasab – Iran

Hyunju Oh – Südkorea

Joshua Weitzel - Kassel / Kam Seng Aung - Myanmar / Samuel Cho - Saarbrücken


* Meisterschülerin Prof. Dieter Kiessling, KHM Mainz

Das Klangkunst-Projekt wurde vom Gutenberg Lehrkolleg der
Johannes Gutenberg-Universität Mainz als innovatives Lehrprojekt ausgezeichnet.

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2021 Kunstverein Coesfeld

SOUNDSEEING – Das münsterlandweite Klangkunstfestival 2021

Ausstellungsort: Kunstverein Münsterland e.V.
Jakobiwall 1 | 48653 Coesfeld | +49 (0)2541 880711
14.06. – 21.06. | »ears & eyes« – Positionen junger Klangkunst
Eröffnung: 14.06. um 19.30 Uhr

Klasse Klangkunst-Komposition der Hochschule für Musik Mainz
Danbi Jeung | Anahita Ghasemi Nasab | Juan Bermudez | Christopher Dahm | Stefan Fricke |          Wingel Mendoza | Meike Borchers*
Speziell für den Kunstverein Münsterland in Coesfeld sind Arbeiten entstanden, die die Wechselwirkung von Klang und Bild thematisieren: das Geräusch fallender Kaffeebohnen wird mit einem politischen Kontext hinterlegt; kreisende Blätter erzeugen subtilste Klänge an der Wand; interaktive, computergesteuerte Plattenspieler übersetzen Farben in Sounds; grafische Arbeiten evozieren inneres Hören und bezeugen einen künstlerischen Fern-Dialog in Corona-Zeiten; ein Video demonstriert: auch Kunstwerke müssen Abstand halten; ein Lautsprecher reflektiert über seine Funktion; die Geräusche der allgegenwärtigen SMS-Kommunikation mit Smartphones ticken durch den Raum. »ears & eyes« ist eine facettenreiche Ausstellung aktueller Klangkunstarbeiten – zum Hören, Sehen, Fühlen und Denken.

Betreuung: Prof. Peter Kiefer | Prof. Stefan Fricke | Klgr. Andres Bosshard

*Meisterschülerin Prof. Dieter Kiessling, KHM Mainz

Link: Kunstverein Münsterland

2021 Nottbeck

SOUNDSEEING – Das münsterlandweite Klangkunstfestival 2021

13.06. – 04.07. | »Sound Ortungen Nottbeck« – Wort | Klang | Natur
Ausstellungsort: Kulturgut Haus Nottbeck | Landrat-Predeick-Allee 1 | D 59302 Oelde
Eröffnung: 13.06. um 11.00 Uhr
12.06. | »FireFly« Mitmachaktion mit Smartphones ca. 22.00 Uhr
Info & Anmeldung 02529 9497900 und museum@kulturgut-nottbeck.de

Klasse Klangkunst-Komposition der Hochschule für Musik Mainz
Danbi Jeung | Anahita Ghasemi Nasab | Juan Bermudez | Christopher Dahm | Stefan Fricke |
Wingel Mendoza | Meike Borchers*
Ortungen markiert das Kulturgut Nottbeck zum temporären Klangkunst-Ort. Hier entwickeln Klangkünstler*innen während eines Creative Camps spezielle SOUND ART-Arbeiten, abgestimmt für diesen Ort und die Möglichkeiten des Kunsterlebens zu Corona-Zeiten. Inspiriert vom Literaturmuseum entstehen Klangkunst-Objekte mit Sprache: Klangstrahlen transportieren Texte in die Ferne, drehende Buchseiten reden von sich selbst, aus mexikanischen Tonvasen tönt Klang-Poesie. In weiteren Arbeiten ist das ökologische Umfeld gegenwärtig: Klanginseln erschaffen sonore Räume im Freien, Getreideklänge tropfen aus Drainagerohren, vom Wasser aus schallen Solaramphoren, kombiniert mit akustischen Reflexionen von der Terrasse.

Betreuung: Prof. Peter Kiefer | Prof. Stefan Fricke | Klgr. Andres Bosshard | Joshua Weizel | Jim Igor Kallenberg |

*Meisterschülerin Prof. Dieter Kiessling, KHM Mainz

Link: Kultur Haus Nottbeck

2021 Wingel – Fulda Michaelskirche Aschermittwoch der Künste

FULDA - 18. Februar 2021 • 20:00 h and online

Exhibition
18. Februar - 4. March 2021
daily 10 - 12 and 14 - 17 Uhr

Michaelskirche
Michaelsberg 1
36037 Fulda

Click here for sound and image

 

The diocese of Fulda invited artists to present pictorial and sound works from their own workspaces during a service on Ash Wednesday. A total of 38 pictorial objects and about 20 sound works have come together in this way and now enter into a relationship with the space of St Michael's Church. The composer and sound artist Wingel Pérez Mendoza combined the 20 or so sound works into an "audio piece". Furthermore, all sounds were united in a 40-minute 6-channel sound installation seen and heard on site until 5 March.

Faded Memories (2020)

Wingel Mendoza: Faded Memories
Hochschule für Musik Mainz, Black Box
14 - 16.02

If nothing passed away, there would not be past time; and if nothing were coming, there would not be future time; and if nothing were, there would not be present time said ST. Augustine. Therefore, “Faded memories” deals with the projection of past memories, present and projection future in an interactive way represented by 3 acrylic panels. Each panel contains 2cassette players, one is recording and the other one is playing what was recorded with a 9 seconds delay, played by a speaker attached to the panel. The sound of each panel represents the past, present, and future. For the past panel, the sounds are different recordings I did, such as urban sounds from different cities, natural environments from different countries, and pieces I composed, the past could be only triggered by the presence of the audience by a movement sensor. The panel of present contains the sound of the electromagnetism produced by my computer in real-time meanwhile it´s playing the local news. The sounds of the future are the convolution of the past and the present and it is only activated when the panel of the past is triggered too. The panels of past and present are translucid and the future is a white one. Images are displayed by a projector going through the panels. Since the past and present are translucent the projection can only be seen in the third panel (Future). The images are memories of different places I have been, related to the sources of sounds of the past because the images are generated by the sounds. Without memories, we are not conscious of our present and therefore the future wouldn´t be clear. Every panel reacts to the other one, without the panel of the Past, there are no sounds in the panel of the future and without the presence of someone, the only panel working is the present, because the present is always going on.