Exhibitions

Klangkunst bei 3 x klingeln in Mainz!

24. - 26. September 2021: Wir sind startklar

Sie findet wieder statt, die "kleinste Biennale der Welt". Bildende Künstler, Musiker, Performer, Schauspieler und Autoren sind für ein Wochenende in private Räume der Mainzer Neustadt und des Bleichenviertels eingeladen.
dreimalklingeln.de

diesmal auch mit Klangkunst von Studierenden der Klasse Klangkunst-Komposition der Hochschule für Musik Mainz

Position 7
Anahita Ghasemi Nasab: Videoinstallation
zu Gast bei Sabine Lehmann und Theo Tekaat
Lessingstraße 10, Mainz

und dem Alumni
Position 10
Christopher Dahm: Klanginstallation
zu Gast bei Schreinerei Rainer Wadewitz
Frauenlobstraße 56, Mainz

Dank an Christiane Schauder und Minas

Flyer zum download:
3xklingeln 2021 final

2021 • Video OPENING Trier Klangkunstfestival bis 15. August 2021


















SOMMERUNG is the title of OPENING 21, the international festival for contemporary sound art from 24 July to 15 August in Trier. In arable culture, SOMMERUNG refers to the fruitful phase after the fallow period - how could the creative phase of the former and current students of the Sound Art Composition class of the Mainz University of Music be more aptly summed up after months of lockdown!

+++ Follow the Klanglinie Trier and take part in our artistic harvest +++

OPENING Trier Sound Art Festival until 15 August 2021
VIDEO

http://opening-festival.de/#klanglinie

The sound artists:
Anahita Ghasemi Nasab @anahitaghn
Juan David Bermúdez @juandavid71
Meike Borchers | Master student Prof. Dieter Kiessling, KHM Mainz
Christopher Dahm @christopher_dahm
Wingel Mendoza @wingelegniw
Danbi Jeung @danbijeung_works
Joshua Weitzel @joshua.r.weitzel | Kam Seng Aung | Samuel Cho
Nicola Leonard Hein @nicola.hein
Ketevan Dolnikova-Hahn @kettyvandoln
Hyunju Oh @oh.hyunju_art
Stefan g. Fricke
Supervision: Prof. Peter Kiefer | Prof. Stefan Fricke |
Collaboration: Jim Igor Kallenberg | https://soundart.uni-mainz.de

The sound art project was awarded as an innovative teaching project by the Gutenberg Teaching College of the Johannes Gutenberg University Mainz.

Supervision: Prof. Peter Kiefer | Prof. Stefan Fricke |
Collaboration: Jim Igor Kallenberg |
https://soundart.uni-mainz.de

The sound art project was awarded as an innovative teaching project by the Gutenberg Teaching College of the Johannes Gutenberg University Mainz.

Video and Composing: @herkewerke | Photography: Martina Pipprich @martinapipprich |
© all rights: ars@uni-mainz.de

2021 Kunstverein Coesfeld

SOUNDSEEING – Das münsterlandweite Klangkunstfestival 2021

Ausstellungsort: Kunstverein Münsterland e.V.
Jakobiwall 1 | 48653 Coesfeld | +49 (0)2541 880711
14.06. – 21.06. | »ears & eyes« – Positionen junger Klangkunst
Eröffnung: 14.06. um 19.30 Uhr

Klasse Klangkunst-Komposition der Hochschule für Musik Mainz
Danbi Jeung | Anahita Ghasemi Nasab | Juan Bermudez | Christopher Dahm | Stefan Fricke |          Wingel Mendoza | Meike Borchers*
Speziell für den Kunstverein Münsterland in Coesfeld sind Arbeiten entstanden, die die Wechselwirkung von Klang und Bild thematisieren: das Geräusch fallender Kaffeebohnen wird mit einem politischen Kontext hinterlegt; kreisende Blätter erzeugen subtilste Klänge an der Wand; interaktive, computergesteuerte Plattenspieler übersetzen Farben in Sounds; grafische Arbeiten evozieren inneres Hören und bezeugen einen künstlerischen Fern-Dialog in Corona-Zeiten; ein Video demonstriert: auch Kunstwerke müssen Abstand halten; ein Lautsprecher reflektiert über seine Funktion; die Geräusche der allgegenwärtigen SMS-Kommunikation mit Smartphones ticken durch den Raum. »ears & eyes« ist eine facettenreiche Ausstellung aktueller Klangkunstarbeiten – zum Hören, Sehen, Fühlen und Denken.

Betreuung: Prof. Peter Kiefer | Prof. Stefan Fricke | Klgr. Andres Bosshard

*Meisterschülerin Prof. Dieter Kiessling, KHM Mainz

Link: Kunstverein Münsterland

2021 Nottbeck

SOUNDSEEING – Das münsterlandweite Klangkunstfestival 2021

13.06. – 04.07. | »Sound Ortungen Nottbeck« – Wort | Klang | Natur
Ausstellungsort: Kulturgut Haus Nottbeck | Landrat-Predeick-Allee 1 | D 59302 Oelde
Eröffnung: 13.06. um 11.00 Uhr
12.06. | »FireFly« Mitmachaktion mit Smartphones ca. 22.00 Uhr
Info & Anmeldung 02529 9497900 und museum@kulturgut-nottbeck.de

Klasse Klangkunst-Komposition der Hochschule für Musik Mainz
Danbi Jeung | Anahita Ghasemi Nasab | Juan Bermudez | Christopher Dahm | Stefan Fricke |
Wingel Mendoza | Meike Borchers*
Ortungen markiert das Kulturgut Nottbeck zum temporären Klangkunst-Ort. Hier entwickeln Klangkünstler*innen während eines Creative Camps spezielle SOUND ART-Arbeiten, abgestimmt für diesen Ort und die Möglichkeiten des Kunsterlebens zu Corona-Zeiten. Inspiriert vom Literaturmuseum entstehen Klangkunst-Objekte mit Sprache: Klangstrahlen transportieren Texte in die Ferne, drehende Buchseiten reden von sich selbst, aus mexikanischen Tonvasen tönt Klang-Poesie. In weiteren Arbeiten ist das ökologische Umfeld gegenwärtig: Klanginseln erschaffen sonore Räume im Freien, Getreideklänge tropfen aus Drainagerohren, vom Wasser aus schallen Solaramphoren, kombiniert mit akustischen Reflexionen von der Terrasse.

Betreuung: Prof. Peter Kiefer | Prof. Stefan Fricke | Klgr. Andres Bosshard | Joshua Weizel | Jim Igor Kallenberg |

*Meisterschülerin Prof. Dieter Kiessling, KHM Mainz

Link: Kultur Haus Nottbeck

2021 Wingel – Fulda Michaelskirche Aschermittwoch der Künste

FULDA - 18. Februar 2021 • 20:00 h and online

Exhibition
18. Februar - 4. March 2021
daily 10 - 12 and 14 - 17 Uhr

Michaelskirche
Michaelsberg 1
36037 Fulda

Click here for sound and image

 

The diocese of Fulda invited artists to present pictorial and sound works from their own workspaces during a service on Ash Wednesday. A total of 38 pictorial objects and about 20 sound works have come together in this way and now enter into a relationship with the space of St Michael's Church. The composer and sound artist Wingel Pérez Mendoza combined the 20 or so sound works into an "audio piece". Furthermore, all sounds were united in a 40-minute 6-channel sound installation seen and heard on site until 5 March.

Faded Memories (2020)

Wingel Mendoza: Faded Memories
Hochschule für Musik Mainz, Black Box
14 - 16.02

If nothing passed away, there would not be past time; and if nothing were coming, there would not be future time; and if nothing were, there would not be present time said ST. Augustine. Therefore, “Faded memories” deals with the projection of past memories, present and projection future in an interactive way represented by 3 acrylic panels. Each panel contains 2cassette players, one is recording and the other one is playing what was recorded with a 9 seconds delay, played by a speaker attached to the panel. The sound of each panel represents the past, present, and future. For the past panel, the sounds are different recordings I did, such as urban sounds from different cities, natural environments from different countries, and pieces I composed, the past could be only triggered by the presence of the audience by a movement sensor. The panel of present contains the sound of the electromagnetism produced by my computer in real-time meanwhile it´s playing the local news. The sounds of the future are the convolution of the past and the present and it is only activated when the panel of the past is triggered too. The panels of past and present are translucid and the future is a white one. Images are displayed by a projector going through the panels. Since the past and present are translucent the projection can only be seen in the third panel (Future). The images are memories of different places I have been, related to the sources of sounds of the past because the images are generated by the sounds. Without memories, we are not conscious of our present and therefore the future wouldn´t be clear. Every panel reacts to the other one, without the panel of the Past, there are no sounds in the panel of the future and without the presence of someone, the only panel working is the present, because the present is always going on.

ECHOS (2020)

Christopher Dahm: ECHOS (2020)
Karmeliterkirche Mainz
14. - 16. February 2020

Sound installation: mirrors, metal stands, transducers, audio player, amplifier

In Greek mythology, Narcissus despairs of love for his own mirror image after he abruptly rejected the wooing of nymph Echo. According to the story, an echo, a reverberation, has nothing individual to offer, it only reflects what has been. Like a mirror reflection, the energy of an echo steadily decreases over time and space - until it completely disappears from perception. In ECHOS the dimension of space becomes an instrument. Reflecting mirrors determine the composition and sound rhythm. Auditory and visual lines of reflection correspond, create patterns. In ECHOS an impulse sound gets played out through a loudspeaker, facing a mirror. Through ongoing mirror reflections, the room itself determines the composition and sound rhythm. Auditory and visual lines of reflections correspond, create patterns. All impulse sounds got recorded with a contact microphone inside the church. This installation is adaptable for any room size with different amount of mirrors.

A dream within a dream (2019)

Klangkunst: A dream within a dream 2019
Hochschule für Musik Mainz, Blavk box
Mittwoch, 06. Februar, 19:30 Uhr

Klangkunst-Konzert: „A dream within a dream“

mit Arbeiten von
Anahita Ghasemi Nasab (Iran)
Christopher Dahm (Deutschland)
Wingel Mendoza (Mexiko)

Künsterlische Leitung: Prof. Peter Kiefer, Kaspar König

Neben Einzelarbeiten der Studierenden ist eine Group Performance zu erleben, inspiriert durch das Gedicht „A dream within a dream“ von Edgar Allen Poe.

- 43 Dream tones ... by Wingel Mendoza (Mexico)
Our dreams are based in our personal and daily life experiences, sometimes they bring us memories creating a new non-real present. I brought some significative sounds I had in my childhood and with these I creat different dream scenarios. 43 Dream tones for amplified table, loop tapes, tape machines and live electronics.

- One Word ... by Christopher Dahm (Germany)
Which sounds can be derived from a spoken word? How does the meaning of the word behave in this context? In digital soundscapes Christopher Dahm embarks on an experimental search. In the ten-minute piece, one word is deformed in various ways, decomposed and reassembled.

- My Joint Self! ... by Anahita Ghasemi Nasab (Iran)
Three short pieces for Piano, Assistant and Audio Tape. Based on three abstract paintings by Sina Mousavion.

Group Performance ... inspired by Edgar Allen Poe